Contact Information

Biography

Laura Engel specializes in eighteenth-century British literature with a focus on drama, gender studies, performance theory, material culture, and theater history. She is the author of Women, Performance, and the Material of Memory: The Archival Tourist (Palgrave Macmillan, 2019), Austen, Actresses, and Accessories (Palgrave Macmillan, 2014), Fashioning Celebrity: Eighteenth-Century British Actresses and Strategies for Image Making (Ohio State University Press, 2011) and co-editor of Stage Mothers: Women, Work, and the Theater 1660-1830 (Bucknell University Press, 2015). She recently co-curated an exhibition entitled "Artful Nature: Fashion and Theatricality" at the Lewis Walpole Library at Yale University and is working on a new digital book project, The Art of the Actress in the Eighteenth Century. She is the editor of the book series 鈥淧erforming Celebrity鈥� for the University of Delaware Press. 

Education

Ph.D., English, Columbia University, 2001
M. Phil., English, Columbia University, 1995
M.A., English, Columbia University, 1992
B.A., English, Bryn Mawr College, 1990

School

Recent Courses Taught

Undergraduate

  • ENG 450W-01 Restoration Women Writers
  • ENG 418W-01 Eighteenth-Century Women Playwrights
  • ENG 418W-01 Jane Austen
  • ENG 450W-02 The Libertine
  • ENG 300W-01 Critical Issues in Literary Studies
  • ENG IHP 104 Freshman Honors Seminar
  • ENG 201-01 Introduction to Drama

Graduate

  • ENG 561-29 Engendering the Self: Eighteenth-Century Diaries and Letters
  • ENG 561-29 Sensation Literature
  • ENG 561-29 Staging Gender in the Eighteenth-Century Theater
  • ENG 561-29 Gothic Bodies
  • ENG 568-29 Contemporary American and British Drama

Recent Publications

Actresses, Accessories, and Austen: Much Ado 麻豆直播 Muffs. (Palgrave Pivot Series, 2014).

Laura Engel and Elaine McGirr eds. Stage Mothers: Women, Work, and the Theater. (Bucknell UP, 2014)

"The Secret Life of Archives: Sally Siddons, Sir Thomas Lawrence, and The Material of Memory," ABO: Interactive Journal for Women in the Arts, 1640-1830: Vol. 4: Iss. 1, Article 2.

Fashioning Celebrity: Eighteenth-Century British Actresses and Strategies for Image Making(Columbus, Ohio State University Press, May 2011). 

Editor, The Public's Open to Us All: Essays on Women and Performance in Eighteenth-Century England. (Newcastle: Cambridge Scholars Publishing, 2009).

"Representations of Women in Restoration and Eighteenth-Century Drama" for The Encyclopedia of British Literature 1660-1789 edited by Gary Day and Jack Lynch (Wiley Blackwell, 2015).

"Close Encounters: Frances Burney, Actresses, and Models for Female Celebrity" in The Burney Journal, Volume 12, 2014, 7-27.

"The Muff Affair: Fashioning Celebrity in the Portraits of Late Eighteenth-Century Actresses" in Fashion Theory: The Journal of Dress, Body & Culture. Volume 13, Issue 3, September, 2009, 278-298. 

"The Personating of Queens: Lady Macbeth, Sarah Siddons, and the Creation of Female Celebrity in the Late Eighteenth Century" in Macbeth: New Critical Studies, Nicholas Moschovakis ed. (New York: Routledge Press, 2008) 240-249.

"Notorious Celebrity: Mary Wells, Madness and Theatricality" in Eighteenth-Century Women, Volume V, 2008 181-205. Reprint in The English Malady: Enabling and Disabling Fictions, Glen Colburn ed. (Newcastle: Cambridge Scholars Press, 2008) 305-325. 

The Archival Tourist: Women, Performance, and the Material of Memory 1780- 1915 (Palgrave Macmillan, 2019).

鈥淔ashioning the Female Artist: Allegory and Celebrity in Lady Diana Beauclerk鈥檚 Watercolors of The Faerie Queene鈥� The Edinburgh Companion to Romanticism and the Arts. Maureen McCue and Sophie Thomas eds. (Edinburgh University Press, 2023)374-390.  

鈥淪hadow Jane鈥� in Jane Austen Sex, Romance and Representation edited by Nora Nachumi and Steff Oppenhiem (Rochester University Press, 2022) 216-226.

鈥淎ll 麻豆直播 my Mother: Archives, Art, and Memory,鈥� Tulsa Studies in Women鈥檚 Literature, Vol. 40, No. 2, Fall 2021, 209-214.

Co-author with Emily Rutter 鈥淚ntroduction to Women and Archive Special Issue,鈥� Tulsa Studies In Women鈥檚 Literature, Vol. 40, No. 1, Spring 2020, 5-14.

鈥淭he Archival Tourist Take Two: Looking at Legacies of Eighteenth-Century Portraiture through the work of Elizabeth Colomba and Fabiola Jean-Louis,鈥� Eighteenth-Century Fiction, Volume 3, No. 34, Summer 2020, 557-576.

鈥淭he Lady Vanishes: Madame Tussaud鈥檚 Self Portrait and Material Legacies鈥� A Nation of Makers: Material Literacies in Eighteenth-Century Britain, 1660-1830. Chloe Wigtson Smith and Serena Dyer Eds. (Bloomsbury Press, 2020) 239-256.

鈥淓ighteenth Century Actresses and Material Culture鈥� The Palgrave Handbook of the History of Women on Stage. Jan Sewell and Clare Smout eds. (Palgrave Macmillan, 2020) 229-246.

鈥淢agazine Miniatures: Portraits of Actresses, Princesses, and Queens in Late Eighteenth-Century Periodicals鈥� Women鈥檚 Periodicals and Print Culture in Britain 1660-1840. Jennie Batchelor and Manushang Powell Eds. (Edinburgh University Press, 2018) 458-473.

鈥淓pilogue: Body Double-Katharine Hepburn at Madame Tussauds鈥� Public Interiors: Intimacy and Celebrity in Eighteenth-Century Literary Culture. Victoria Joule and Emrys Jones Eds. (Palgrave Macmillan, 2018) 293-298.

鈥淪tage Beauties: Actresses and Celebrity Culture,鈥� Literature Compass, Vol. 13, Iss.12, December 2016, 749-761.

Reviews

Women, Work, and Clothes in the Eighteenth-Century Novel by Chloe Wigston Smith (Cambridge UP, 2013) in Women's Writing, Volume 21, Issue 2, May 2014.

Sarah Siddons Audio Files: Romanticism and the Lost Voice, by Judith Pascoe (University of Michigan Press, 2011) Women's Writing, Vol. 20, Number 2, 283-285, May 2013.

Bettymania and the Birth of Celebrity Culture, by Jeffrey Kahan (Lehigh University Press, 2010) (forthcoming in 1650-1850: Ideas, Aesthetics, And Inquiries in the Early Modern Era) 

Rival Queens: Actresses, Performance, and The Eighteenth-Century British Theatre, by Felicity Nussbaum (University of Pennsylvania Press, 2010) in Women's Writing Vol. 18, No. 4 November 2011, pp. 568-571